Despite the fact that until now concentrating more on technical matters, I have to admit that equipment in filming plays a marginal role. really most important is the knowledge of certain elementary principles and anarchogeniczna (do not search that word in Google, it was invented - gr. Anarchos + Lat. genesis - what a transcendental word formation) ability breaking them. For example, the Stanley Kubrick turning 2001: A Space Odyssey still arguing with the operator, who refused to accept the revolutionary solutions director - it was a very unusual use of the focal length in certain scenes. Besides, Kubrick is known for his experiments. For example, in the movie Barry Lyndon already applied the legendary Zeiss glass f0.70 50mm, which was developed for NASA. Kubrick wanted on the fact that the stage lighting was as realistic as possible. Action film takes place in the eighteenth century, so the lighting plan could be used only candles. On Youtube I found a great material associated with that same history. Feel free to watch.
It is customary to consider that Shining was the first film, which uses Steadicama. This is somewhat true, because for the first time used him on such a scale, but already, some scenes, such as Rambo were made using this equipment. This misconception is so widespread also due to the fact that the Shining almost the whole time the camera was on the Steadicamie . It was a movie producer actually perfect for this device. With it began in earnest today, which lasted until his adventure with the film industry.
Steadicam used in The Shining
Returning to the tricks of film that should be used to obtain the desired picture. N Most basic principles are combined with cropping . Once we master this aspect, go to the camera motion.
Crop
Cropping is, simply speaking, the right way by moving an object placed in a cage. Appropriate staff should call the customers of a process of perceptual Ingarden called by the aesthetic experience. His phenomenological approach to the constitution of the aesthetic feeling is, I believe, possible to transplant to the field of cinema. Particularly important is the concept of a multitude of phases . Some of them will lead to the existence of this feeling, a feeling that is the guarantor of the recognition by the viewer of our craftsmanship. The film does not need, and even should not abound in such moments . They should appear at key moments in the development shares.
multitude of phases
With a multitude of phases is like working out with the levels of secondary school history - if you fail a first, then a second you could dream of. The process of constituting should be initiated by the appropriate personnel. In conjunction with the movement, editing, sound and other duperelami, should lead to our desired effect. "When faced with a subjective aesthetic reveals itself not a simple quality, but many different qualities, they do not occur often loosely next to each other, but internally organized themselves into a coherent whole." Ingarden about the film rather not think at this point, but his words are perfect for this, as we speak. Rule of Thirds
the internet on it are hundreds of studies, so confine to basic information and personal thoughts.
dual screen basically three
American Plan
There are two basic types of shots. Central in which the object is at the center of the picture and the one in which the object is placed on the left or right side. While the photography staff is central to a very large part of the picture, so much in the film works very rarely. This is due to the fact that the film is a work that arises as a result of mounting angles. A really hard to connect seamlessly shots where the camera is accidentally. If you are filming a conversation we need to remember that stick to a predetermined division . Suppose you are talking to each other two people. At the beginning let's show them the full plan, or, preferably American, to the audience figured out who is who. On the left is John, right, Andrei. They are talking, their faces are shown on the amendment, the operator must remember that John's face must be placed in the left side of the frame, and Andrei in the right. Several such scenes, interspersed with the more general plan, will allow a smooth assembling the clip, watching the audience will not who wondered, where it stands. You can also use a little trick, namely to show the current speaker of the second hero from behind. Sample configurations showing the illustrations.
Show more general plan
Principle three: the figure that the two plans is shown on the right.
analogous situation. The only change is to extend the focal length.
Bonus
At the end of today's episode a little bonus! Armed with knowledge of basic principles, we can call friends and re-shoot the film, whose script I presented in the first post. Probably wondering just how to do that elegantly filmed a blow in the face. Here, again, we will use the principle of thirds of the frame. I recommend placing the camera left for back to the attacker, who struck with his right hand should , so that the victim's face clouded. The whole we're doing with quite a large distance using a long focal length . Such a procedure will make the plane will be distorted visual impact and really will look very realistic. How to master Google SketchUp, a throw of staff explaining the treatment.
That's all for today. Subject will continue. In another part of remains of human resources, and perhaps movement. Feel free to follow your blog.
0 comments:
Post a Comment